Cultural Studies Review
Cultural Studies Review
简 介：Cultural Studies Review is grateful for the financial support provided by the following schools, faculties and centres: School of Culture and Communication, University of Melbourne; Faculty of Arts and Social Sciences, University of Technology, Sydney; Faculty of Law, University of Technology, Sydney; School of Media, Culture and Creative Arts, Curtin University of Technology, Perth; Centre for Public Culture and Ideas, Griffith University, Queensland; Centre for Public Culture and Ideas, Griffith University, Queensland.
- 主管单位：
- 主办单位：University of Technology, Sydney
- 创刊时间：1995
- 出版周期：2
- 地址：澳大利亚
- 国际标准刊号：ISSN
- 国内统一刊号：CN
- 邮发代号：
- 单价：
- 总价：
2007年
Editorial
Katrina Schlunke;John Frow
(7-8)
Slight Anthropologies
Gabrielle Lorraine Fletcher
(11-19)
Taking Them Back: Archival Media in Arnhem Land Today
Martin Thomas
(20-37)
Unaustralia: Strangeness and Value
John Frow
(38-52)
The Kingsbury Tales
Ouyang Yu
(53-65)
Writing, with, T/error And Calling on the Body of an Artist
Lisa McDonald
(66-76)
John Howard's Body
Paul Magee
(77-97)
Poetry as Means of Dialogue in Court Spaces
John Kinsella
(98-114)
Culture and Pedagogy: On the Popular Art of Reviewing Popular Art
Robert Briggs
(115-33)
Relationscapes: How Contemporary Aboriginal Art Moves Beyond the Map
Erin Manning
(134-55)
Knowing the Country
Eve Vincent
(156-65)
Postshamanism (1999)
Juan Obarrio
(166-89)
The Belsunce Case: Judgment, Uptake, Genre
Andrew Munro
(190-204)
Trace Evidence: The Uncertainty of the Real
Kristen Davis;Belinda Morrissey
(205-16)
Bringing Indigenous Religion into Focus
Marion Maddox
(219-25)
Mixed Feelings
Anna Gibbs
(226-32)
A Decade of Work from Meaghan Morris
Alison Bartlett
(233-36)
The Micropolitics of Slow Living
Susie O'Brien
(237-41)
Discomforting Delights
Margaret Mayhew
(242-46)
Beyond Borders
Kate Douglas
(247-50)
Editorial
John Frow;Katrina Schlunke
(7-8)
The Recall of Modernity:Anthropological Approaches
Bruno Latour
(11-30)
The Importance of Bruno Latour for Philosophy
Graham Harman
(31-49)
'Don't Use the A-word': Arts By Stealth at the ABC—A Latourian Analysis
Liz Jacka
(50-69)
T.W. Adorno: Cinema in Spite of Itself—But Cinema all the Same
Nicole Brenez
(70-88)
Going Nowhere? The Politics of Remembering (and Forgetting) Molly Ringwald
Christina Lee
(89-104)
Translating Worlds: Is Petyarre’s Work Abstract?
Robyn Ferrell
(121-8)
Antipodean Aesthetics, Public Policy and the Museum: Te Papa, for example
Ben Dibley
(129-49)
Intimate Australia: Body/Landscape Journals and the Paradox of Belonging
Lisa Slater
(150-69)
Why Salo is Banned in Australia
Paul Magee
(170-2)
The Dementia Wing of History
Rachel Buchanan
(173-86)
Disarticulating Bellies: A Reproductive Glance
Lisa McDonald
(187-207)
Untying the Old School
Sarah-Jane Norman
(208-14)
Can't Help Lovin' That Man
David McInnes
(217-22)
Masculinity in Crisis: The Uncanny Male Monster
Panizza Allmark
(223-7)
Becoming Animal In Contemporary Visual Arts
Kate Livett
(228-32)
Walking from the Car
Sarah Redshaw
(239-43)
Editorial
John Frow;Katrina Schlunke
(7-7–8)
Slight Anthropologies
Gabrielle Lorraine Fletcher
(11-11–19)
Taking Them Back: Archival Media in Arnhem Land Today
Martin Thomas
(20-20–37)
Unaustralia: Strangeness and Value
John Frow
(38-38–52)
The Kingsbury Tales
Ouyang Yu
(53-53–65)
Writing, with, T/error And Calling on the Body of an Artist
Lisa McDonald
(66-66–76)
John Howard's Body
Paul Magee
(77-77–97)
Poetry as Means of Dialogue in Court Spaces
John Kinsella
(98-98–114)
Culture and Pedagogy: On the Popular Art of Reviewing Popular Art
Robert Briggs
(115-115–33)
Relationscapes: How Contemporary Aboriginal Art Moves Beyond the Map
Erin Manning
(134-134–55)
Knowing the Country
Eve Vincent
(156-156–65)
Postshamanism (1999)
Juan Obarrio
(166-166–89)
The Belsunce Case: Judgment, Uptake, Genre
Andrew Munro
(190-190–204)
Trace Evidence: The Uncertainty of the Real
Belinda Morrissey;Kristen Davis
(205-205–16)
Bringing Indigenous Religion into Focus
Marion Maddox
(219-219–25)
Mixed Feelings
Anna Gibbs
(226-226–32)
A Decade of Work from Meaghan Morris
Alison Bartlett
(233-233–36)
The Micropolitics of Slow Living
Susie O'Brien
(237-237–41)
Discomforting Delights
Margaret Mayhew
(242-242–46)
Beyond Borders
Kate Douglas
(247-247–50)
Editorial
John Frow;Katrina Schlunke
(7-7–8)
The Recall of Modernity:Anthropological Approaches
Bruno Latour
(11-11–30)
The Importance of Bruno Latour for Philosophy
Graham Harman
(31-31–49)
'Don't Use the A-word': Arts By Stealth at the ABC—A Latourian Analysis
Liz Jacka
(50-50–69)
T.W. Adorno: Cinema in Spite of Itself—But Cinema all the Same
Nicole Brenez
(70-70–88)
Going Nowhere? The Politics of Remembering (and Forgetting) Molly Ringwald
Christina Lee
(89-89–104)
Translating Worlds: Is Petyarre’s Work Abstract?
Robyn Ferrell
(121-121–8)
Antipodean Aesthetics, Public Policy and the Museum: Te Papa, for example
Ben Dibley
(129-129–49)
Intimate Australia: Body/Landscape Journals and the Paradox of Belonging
Lisa Slater
(150-150–69)
Why Salo is Banned in Australia
Paul Magee
(170-170–2)
The Dementia Wing of History
Rachel Buchanan
(173-173–86)
Disarticulating Bellies: A Reproductive Glance
Lisa Macdonald
(187-187–207)
Untying the Old School
Sarah-Jane Norman
(208-208–14)
Can't Help Lovin' That Man
David McInnes
(217-217–22)
Masculinity in Crisis: The Uncanny Male Monster
Panizza Allmark
(223-223–7)
Becoming Animal In Contemporary Visual Arts
Kate Livett
(228-228–32)
Walking from the Car
Sarah Redshaw
(239-239–43)