Cultural Studies Review
Cultural Studies Review
简 介：Cultural Studies Review is grateful for the financial support provided by the following schools, faculties and centres: School of Culture and Communication, University of Melbourne; Faculty of Arts and Social Sciences, University of Technology, Sydney; Faculty of Law, University of Technology, Sydney; School of Media, Culture and Creative Arts, Curtin University of Technology, Perth; Centre for Public Culture and Ideas, Griffith University, Queensland; Centre for Public Culture and Ideas, Griffith University, Queensland.
- 主管单位：
- 主办单位：University of Technology, Sydney
- 创刊时间：1995
- 出版周期：2
- 地址：澳大利亚
- 国际标准刊号：ISSN
- 国内统一刊号：CN
- 邮发代号：
- 单价：
- 总价：
2008年
Cultures of Fame and Fandom
Frances Bonner
(209-14)
Birth of the New Clinic
Meredith Jones
(215-19)
The Power of Memory
Felicity Colman
(220-24)
Editorial
John Frow;Katrina Schlunke
(9-9)
Introduction: Cultures of Panic
Cristyn Davies;Robert Payne
(11-13)
‘Skylarking’: Homosexual Panic and the Death of Private Kovco
Robert Payne
(34-48)
‘New Ways to Frame the Mammoth Horror’: Media First Responders and the Katrina Event
Sara Knox
(67-82)
Ritalin®: Panic in the USA
Toby Miller
(103-12)
In the Name of ‘Childhood Innocence’: A Discursive Exploration of the Moral Panic Associated with Childhood and Sexuality
Kerry Robinson
(113-29)
Panic! Affect Contagion, Mimesis and Suggestion in the Social Field
Anna Gibbs
(130-45)
Beyond Savagery: The Limits of Australian ‘Aboriginalism’
Kay Anderson;Colin Perrin
(147-69)
White Free Speech: The Fraser Event and its Enlightenment Legacies
Goldie Osuri
(170-83)
(Re)visiting the Corporate World: The Matrix Evolution
Rose Michael
(184-92)
On Missing the Revolution
Jane Simon
(195-9)
Kitsch Politics
John Frow
(200-4)
Picture Perfect
Andrea Merrett
(205-9)
Baroque Inclinations
Lisa McDonald
(210-14)
Birmingham’s Ghostly Presence
Lisa Farrance
(215-19)
Hollow Words
Barbara Bloch
(220-4)
Editorial
John Frow;Katrina Schlunke
(7-8)
Introduction: A Fragmented Stew of ‘Themes’ and ‘Issues’
Tara Forrest
(11-18)
But Is It History?
Klaus Neumann
(19-32)
A Touching and Contagious Captain Cook: Thinking History through Things
Stephen Muecke
(33-42)
Captain Cook Chased a Chook
Katrina Schlunke
(43-54)
Historical Fiction and the Allegorical Truth of Colonial Violence in The Proposition
Felicity Collins
(55-71)
The Pitfalls of Picturing Atlantic Slavery: Steven Spielberg’s Amistad vs Guy Deslauriers’s The Middle Passage
Lars Eckstein
(72-84)
Experience – Information – Image: A Historiography of Unfolding. Arab Cinema as Example
Laura U. Marks
(85-98)
The Challenge of Film Considered as Historical Research
Olaf Berg
(124-136)
‘Good Building’: Bertolt Brecht’s Utopian Historical Optimism at the End of World War II
Gerhard Fischer
(137-46)
‘There was Nothing to Say and Nobody Said It’: Silence, Disconnection and Interruptions of Gertrude Stein’s Writing Voice during World War II
Ruth Walker
(147-60)
Resurrecting Absence: Iconic Ghosts in the Poetry of Susan Howe
Jessica Wilkinson
(161-78)
Palpable History
Ross Gibson
(179-86)
Participating in the Past: Recording Lives in Digital Environments
Paul Longley Arthur
(187-201)
Affectively Addressing Cultural Studies
Cristyn Davies
(203-8)
Editorial
John Frow;Katrina Schlunke
(9-9)
Introduction: Cultures of Panic
Cristyn Davies;Robert Payne
(11-11–13)
‘Skylarking’: Homosexual Panic and the Death of Private Kovco
Robert Payne
(34-34–48)
‘New Ways to Frame the Mammoth Horror’: Media First Responders and the Katrina Event
Sara Knox
(67-67–82)
Ritalin®: Panic in the USA
Toby Miller
(103-103–12)
In the Name of ‘Childhood Innocence’: A Discursive Exploration of the Moral Panic Associated with Childhood and Sexuality
Kerry Robinson
(113-113–29)
Panic! Affect Contagion, Mimesis and Suggestion in the Social Field
Anna Gibbs
(130-130–45)
Beyond Savagery: The Limits of Australian ‘Aboriginalism’
Kay Anderson;Colin Perrin
(147-147–69)
White Free Speech: The Fraser Event and its Enlightenment Legacies
Goldie Osuri
(170-170–83)
(Re)visiting the Corporate World: The Matrix Evolution
Rose Michael
(184-184–92)
On Missing the Revolution
Jane Simon
(195-195–9)
Kitsch Politics
John Frow
(200-200–4)
Picture Perfect
Andrea Merrett
(205-205–9)
Baroque Inclinations
Lisa McDonald
(210-210–14)
Birmingham’s Ghostly Presence
Lisa Farrance
(215-215–19)
Hollow Words
Barbara Bloch
(220-220–4)
Editorial
John Frow;Katrina Schlunke
(7-7–8)
Introduction: A Fragmented Stew of ‘Themes’ and ‘Issues’
Tara Forrest
(11-11–18)
But Is It History?
Klaus Neumann
(19-19–32)
A Touching and Contagious Captain Cook: Thinking History through Things
Stephen Muecke
(33-33–42)
Captain Cook Chased a Chook
Katrina Schlunke
(43-43–54)
Historical Fiction and the Allegorical Truth of Colonial Violence in The Proposition
Felicity Collins
(55-55–71)
The Pitfalls of Picturing Atlantic Slavery: Steven Spielberg’s Amistad vs Guy Deslauriers’s The Middle Passage
Lars Eckstein
(72-72–84)
Experience – Information – Image: A Historiography of Unfolding. Arab Cinema as Example
Laura U. Marks
(85-85–98)
The Challenge of Film Considered as Historical Research
Olaf Berg
(124-124–136)
‘Good Building’: Bertolt Brecht’s Utopian Historical Optimism at the End of World War II
Gerhard Fischer
(137-137–46)
‘There was Nothing to Say and Nobody Said It’: Silence, Disconnection and Interruptions of Gertrude Stein’s Writing Voice during World War II
Ruth Walker
(147-147–60)
Resurrecting Absence: Iconic Ghosts in the Poetry of Susan Howe
Jessica Wilkinson
(161-161–78)
Palpable History
Ross Gibson
(179-179–86)
Participating in the Past: Recording Lives in Digital Environments
Paul Longley Arthur
(187-187–201)
Affectively Addressing Cultural Studies
Cristyn Davies
(203-203–8)
Cultures of Fame and Fandom
Frances Bonner
(209-209–14)
Birth of the New Clinic
Meredith Jones
(215-215–19)
The Power of Memory
Felicity Colman
(220-220–24)